{"id":27,"date":"2015-02-12T18:26:01","date_gmt":"2015-02-12T18:26:01","guid":{"rendered":"https:\/\/jcdelama.info\/?page_id=27"},"modified":"2026-02-10T19:01:43","modified_gmt":"2026-02-10T19:01:43","slug":"public-opinion","status":"publish","type":"page","link":"https:\/\/jcdelama.info\/?page_id=27","title":{"rendered":"Audiovisual Narrative"},"content":{"rendered":"\n<div class=\"wp-block-genesis-blocks-gb-columns gb-slate-section-hero-title gpb-slate-section-hero-title gb-layout-columns-1 one-column gb-has-background-dim gb-has-background-dim-20 gb-background-cover gb-background-no-repeat gb-has-custom-background-color gb-has-custom-text-color gb-columns-center alignfull\" style=\"padding-top:5em;padding-right:1em;padding-bottom:5em;padding-left:1em;background-color:#1f1f1f;color:#f5f5f5;background-image:url(https:\/\/jcdelama.info\/wp-content\/uploads\/2022\/09\/Centauros_Home_BW-scaled.jpg);background-position:51% 34%\"><div class=\"gb-layout-column-wrap gb-block-layout-column-gap-1 gb-is-responsive-column\" style=\"max-width:1200px\">\n<div class=\"wp-block-genesis-blocks-gb-column gb-block-layout-column\"><div class=\"gb-block-layout-column-inner\">\n<div class=\"wp-block-genesis-blocks-gb-columns gb-layout-columns-1 gb-1-col-equal gb-columns-center alignfull\"><div class=\"gb-layout-column-wrap gb-block-layout-column-gap-8 gb-is-responsive-column\" style=\"max-width:1200px\">\n<div class=\"wp-block-genesis-blocks-gb-column gb-block-layout-column gb-is-vertically-aligned-top\"><div class=\"gb-block-layout-column-inner\">\n<h2 class=\"wp-block-heading has-text-color\" style=\"color:#f5f5f5;font-size:60px\">Audiovisual Narrative<\/h2>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-columns gb-layout-service-1 gb-layout-columns-2 gb-2-col-wideleft gb-has-custom-background-color gb-columns-center alignfull\" style=\"padding-top:5%;padding-right:5%;padding-bottom:5%;padding-left:5%;background-color:#f1f1f1\"><div class=\"gb-layout-column-wrap gb-block-layout-column-gap-2 gb-is-responsive-column\" style=\"max-width:1200px\">\n<div class=\"wp-block-genesis-blocks-gb-column gb-block-layout-column\"><div class=\"gb-block-layout-column-inner\">\n<h2 class=\"wp-block-heading\">Audiovisual Narrative<\/h2>\n\n\n\n<p>Storytelling is an essential part of human nature.<\/p>\n\n\n\n<p>The human being is, as defined by Walter Fisher, a narrative animal.&nbsp;&nbsp;We invent and tell stories in order to make sense of the world around us, our society, our lives;&nbsp;to criticize, escape from or construct the reality we inhabit.<\/p>\n\n\n\n<p>Cinema is, of course, the most common and popular type of audiovisual fictional narrative. In my courses, I go with my students through the history of cinema, analyzing film styles and genres. We discuss stories and how they both reflect and shape the cultural values of the time.<\/p>\n\n\n\n<p>I am especially interested in movies that deal with mass communication.&nbsp;There is a rich tradition of films that delve into the media industry. The filmmakers study through their characters\u2019 fates the nature of mass communication and how media shape the life of the people who work for them or are exposed to them. Filmmakers do not want to establish theories, systematic explanation of what Mass Communication is and how it works. Their approach is much more intuitive. Narrators usually have a stronger sensibility that allows them to cast a personal glance on the issues they touch and describe in their stories. I analyze how advertising, public relations, TV, Radio or even film are portrayed in the media. All of them are professional fields with a tremendous impact on individuals and society. Most of those movies offer an excellent working material to discuss and understand the theoretical work of classic authors in Mass Communication. It is always insightful to measure to what extent the intuition of the filmmakers coincides with the observations of the experts in the field.New digital technologies are deeply affecting the way we produce and consume audiovisual stories nowadays. Larger screens and sophisticated sound systems allow us to have a truly cinematic experience in our living room. Traditional TV stations are forced, in a frantic race to keep the audience, to offer contents that live up to the new expectations of the audience. TV series, such as The Wire, Breaking Bad, or The Sopranos, combine complex contents and sophisticated aesthetics in a way that had been for many years exclusive for cinema.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-genesis-blocks-gb-column gb-block-layout-column\"><div class=\"gb-block-layout-column-inner\">\n<h2 class=\"wp-block-heading\">Selected Publications<\/h2>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/jcdelama.info\/?page_id=630\" target=\"_blank\">El Concepto y La Vivencia del Honor en Sagas Criminales Contempor\u00e1neas: Un An\u00e1lisis de las Series Televisivas <em>The Sopranos<\/em>, <em>The Wire<\/em> y <em>Sons of Anarchy<\/em><\/a><\/strong>. Revista Internacional de Humanidades. 11, 2. 2024. doi:\/10.18848\/2474-5022\/CGP\/v11i02\/59-76<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/cgscholar.com\/bookstore\/works\/140298?category_id=179\" target=\"_blank\" rel=\"noreferrer noopener\">City and Fate: The narrative Function of the Baltimore\u2019s Visual presence in The Wire<\/a><\/strong>. The International Journal of the Image, Volume 8, Issue 1<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/dialnet.unirioja.es\/servlet\/libro?codigo=869044\" target=\"_blank\" rel=\"noreferrer noopener\">Bienvenidos a la m\u00e1quina: Un estudio comparativo de la educaci\u00f3n en el Baltimore ficticio y el Hartford real<\/a><\/strong>. In The Wire University. Ed. J. Cig\u00fcela, J. Mart\u00ednez Lucena. Barcelona: Editorial UOC. 2016.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.researchgate.net\/publication\/282136639_Visual_popular_culture_and_political_power\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Visual Popular Culture and Political Power<\/strong>. <\/a><em>Via<\/em> <em>Panor\u00e2mica<\/em>, Via Panor\u00e2mica: revista de estudos anglo-americanos (Volume integral &#8211; s\u00e9rie III, n\u00ba 3, 2014. Universidade do Porto, Portugal. Peer reviewed. Available online at<\/p>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_genesis_hide_title":true,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages\/27"}],"collection":[{"href":"https:\/\/jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jcdelama.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jcdelama.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jcdelama.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27"}],"version-history":[{"count":57,"href":"https:\/\/jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":843,"href":"https:\/\/jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages\/27\/revisions\/843"}],"wp:attachment":[{"href":"https:\/\/jcdelama.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}